Twelfth Night Analysis

Love vs. Lust and Desire (The twelfth part Night) Love and hunger send packing often be mistaken for each other by unsuspecting and naive char snatchers. In William Shakespeares The Twelfth Night a majority of the characters experience learning the difference in the midst of whether lust is the identical as experience or if they are merely enjoying someones looks that. The question of desire being overpowered by tell apart is something that has been deeply looked at by literary critics to provide to decipher. The beginning of the story starts out with genus genus genus genus Viola and her twin buddy Sebastian getting into a shipwreck where Viola believes that her brother has drowned and been lost at sea.She shows an enormous amount of recognise in those counterbalance few atomic number 42s when she realizes that he is gone. No hunch over is ever greater than family love because it is the most pure form of love. Viola, out of self-preservation, takes a job in the house o f the Duke Orsino and becomes his messenger to his love Olivia. Olivia is a vain woman who is in like manner mourning her brothers death and refuses to give away Orsino or perceive to his marriage proposals. As a different tack, Orsino sends Viola, dressed as Cesario, to try to court Olivia for him. This is not love that Orsino is feeling. Unrequited, melancholic love intensifies this process it is self-consuming, as Orsino is pursued and consumed by his own desires. (Eagleton) As Eagleton alludes he is merely attracted to Olivias beauty and power. The way he acts towards her does soulfulnessify that he loves her, simply he totally compliments her beauty and virtue in his poems. He alludes to scarce wanting her because she is what is seen as the most desirable woman around his land. Irrationally, Orsino would love a woman who he screws loves herself. But whereas he shrewdly guesses the dependable condition of his ladys affection, he is blind to the similar makeup of his ow n passion. (Hunt) This show of lust is counteracted by the showings from Viola of love for Orsino. She chooses to do as he asks and help him court Olivia disdain the fact that she is a woman in disguise and loves Orsino herself. This is a sacrifice that could easily be shown as a sign of true love for Orsino. Violas showing of love is something to be examined closer. She has not known Orsino for more than a day when she begins to love him, save she is willing to sacrifice her own happiness to help make out a marriage between Orsino and Olivia.She could be seen as naive and hopeful, but she seems wiser than that if examined closer. Viola is then drawn within this hallucination, through her adoption of an illusion of disguise to further her real aim of serving Orsino she is made to act the part of one actor (Orsino) to another actor (Olivia) in a way which conflicts with her own genuine identity (her love of Orsino). (Eagleton) Orsino also trusts Viola, as Cesario, completely. He entrusts her with his hopes and his most intimate errands. Orsino is caught at a transitional moment in loves metamorphosis. He secretly enjoys Violas feminine beauty while the rascal identityCesariogives him an excuse for not recognizing the threatening natural diametral to himselfan opposite that in truth complements him. (Hunt) Orsino sees Viola (Cesario) as someone he can trust and feel strangely drawn to. This could be a sniff out of lust compelling him or the nature of true love in its purer form. Through the beginning of the story Violas love for Orsino grows only to see Orsinos love for Olivia continue steady. This is all disrupted when Violas brother, Sebastian, is revealed as alive and in the same city.Olivia, who has been courting Cesario (Viola), mistakes Sebastian for Cesario and convinces him to join her. This can only be another example of the feeble yet strong importance put on physical attraction between two strangers to create a feeling of love that is dee ply grow in lust. Olivia found Cesarios cool demeanor to her to be overbold and the slightly feminine build to be attractive. The consequence of Violas entering the bilateral illusion of Orsino and Olivia is the creation in Olivia of a realityher love for Violawhich breaks beyond the illusion and yet is similarly illusoryshe does not know that Viola is a woman. (Eagleton) Olivias love for Cesario is a little more sincere than Orsinos love for Olivia because Olivia enjoys Cesarios company and demeanor as strictly opposed to his looks. When Olivia learns that Sebastian is her husband and not Cesario, she is still happy despite the mix up. Orsinos switching of his love from Olivia to Viola so easily and efficiently is a sign that he may not rattling know the true nature of love at all. Orsino may only really know the way of desire and lust.Viola overlooks this and marries Orsino without any hesitation because she loves him. Orsino refers to Viola as his fancys Queen implying that h e really cares for her on a level deeper than merely her looks which he has not been able to see in her manly disguise. The ending of the story regards every couple marrying the person they seem the most happy with, but its highly contestable if they love the person they fill chosen or if they merely have chosen someone they like. ? Work CitedEagleton, Terence. Language and Reality in Twelfth Night. Critical Quarterly 9. 3 (Autumn 1967) 217-228. Rpt. in Shakespearean Criticism. Ed. Dana Ramel Barnes and Marie Lazzari. Vol. 34. Detroit Gale Research, 1997. Literature option Center. Web. 19 Feb. 2013. Hunt, Maurice. Love, Disguise, and Knowledge in Twelfth Night. CLA Journal 32. 4 (June 1989) 484-493. Rpt. in Shakespearean Criticism. Ed. Michelle Lee. Vol. 92. Detroit Gale, 2005. Literature Resource Center. Web. 19 Feb. 2013.